A Tale of Two MLA Bibliographies

Last month I questioned the Modern Language Association’s decision, handed down in the 7th edition of the MLA Handbook, to exclude URLs (i.e. web addresses) from bibliographies and Works Cited lists. My readers seemed to be divided, and Rosemary Feal, the Executive Director of the MLA, joined the conversation by outlining some of the reasons for the new style guidelines. I appreciated both Rosemary’s insider perspective and her levelheaded response to my rhetorical flourishes (I wrote with gleeful abandon that the new guidelines represented nothing less than “historiographic homicide”).

The fact is, as Rosemary pointed out, you can still include URLs, they’re just not there by default. I can live with that. I’m reasonably attuned to both my sources and my audience. I can figure out when I should include web addresses for my audience’s benefit and when I shouldn’t.

But the problem isn’t me. It’s computers.

What happens when ProCite or EndNote or Zotero generates your bibliography? What happens when novice scholars — as most of our undergraduates and even our graduate students are — use a machine-made bibliography, formatted automatically without any insight or intervention?

Or, what happens when you’re just in a hurry and you let the software finalize your research for you? This is what happened to me, in fact. Just a few days ago.

The problem isn’t me. It’s computers.

I had presented a paper at the MLA’s annual convention in late December, and several people asked me to send them a copy. It was a decent paper. Not overly ambitious, just me tackling a question I had about the unorthodox use of cut scenes in the PS2 game Shadow of the Colossus. I certainly didn’t mind sending out copies to friendly audience members. As I was looking over the document in Word before emailing it, though, I noticed something very strange about my bibliography. The list of sources seemed too bare somehow. Frail. Skeletal. Impoverished.

And of course I realized what was wrong. I had formatted the bibliography through Zotero, using the new MLA style guidelines. URLs were gone, vanished, kaput! The effect was quite dramatic, since many of my sources were digital born, published in online journals with no print equivalent.

Luckily, Zotero developers extraordinaire Simon Kornblith, Christian Werthschulte, and Sebastian Karcher have created several branches of the MLA citation style for Zotero, one of them being the “MLA Style for purposes where the URL is still required.” I promptly installed the style (and you can too, if you have the Zotero plugin). I reformatted my bibliography, and finally I saw what I wanted to see: direct links to whatever sources my readers would want to follow up on.

You know which bibliographic style I prefer, but what about you?

Here’s a little experiment.

I am including below the two different bibliographies from my paper “Playing the Cut Scene: Agency and Vision in Shadow of the Colossus. Both were automatically generated by Zotero. The first version of the bibliography follows the new MLA citation guidelines and excludes URLs. The second version follows older MLA practices and includes URLs. Which one do you prefer? Look them over and answer the poll at the bottom of the post.

MLA BIBLIOGRAPHY #1 (FOLLOWS NEW GUIDELINES)

  • Bogost, Ian. “Persuasive Games: The Proceduralist Style.” Gamesutra 21 Jan 2009. Web. 1 Feb 2009.
  • Ciccoricco, David. “’Play, Memory’: Shadow of the Colossus and Cognitive Workouts.” Dichtung-Digital 2007. Web. 14 Mar 2009.
  • Fortugno, Nick. “Losing Your Grip: Futility and Dramatic Necessity in Shadow of the Colossus.” Well Played: Video Games, Value and Meaning. ETC Press (Beta). Web. 21 Jun 2009.
  • Galloway, Alexander R. Gaming: Essays on Algorithmic Culture. Minneapolis: University of Minnesota Press, 2006. Print.
  • Juul, Jesper. Half-Real: Video Games between Real Rules and Fictional Worlds. Cambridge: MIT Press, 2005. Print.
  • Newman, James. “The Myth of the Ergodic Videogame: Some Thoughts on Player-Character Relationships in Videogames.” Game Studies 2.1 (2002): n. pag. Web. 25 Dec 2009.
  • —. Videogames. London: Routledge, 2004. Print.
  • Poole, Steven. Trigger Happy: Videogames and the Entertainment Revolution. New York: Arcade, 2000. Print.
  • Salen, Katie, and Eric Zimmerman. Rules of Play: Game Design Fundamentals. Cambridge: MIT Press, 2004. Print.
  • Sherman, Ben. “Story Mechanics as Game Mechanics in Shadow of the Colossus.” Gamesutra 28 Mar 2006. Web. 14 Mar 2009.
  • Squire, Kurt, and Henry Jenkins. “The Art of Contested Spaces.” Publications. Web. 15 Dec 2009.
  • Wolf, Mark J. P. The Medium of the Video Game. Austin: University of Texas Press, 2002. Print.

MLA BIBLIOGRAPHY #2 (FOLLOWS OLD GUIDELINES)

  • Bogost, Ian. “Persuasive Games: The Proceduralist Style.” Gamesutra 21 Jan 2009. Web. 1 Feb 2009. <http://www.gamasutra.com/view/feature/3909/persuasive_games_the_.php?print=1>.
  • Ciccoricco, David. “’Play, Memory’: Shadow of the Colossus and Cognitive Workouts.” Dichtung-Digital 2007. Web. 14 Mar 2009. <http://www.brown.edu/Research/dichtung-digital/2007/Ciccoricco/ciccoricco.htm>.
  • Fortugno, Nick. “Losing Your Grip: Futility and Dramatic Necessity in Shadow of the Colossus.” Well Played: Video Games, Value and Meaning. ETC Press (Beta). Web. 21 Jun 2009. <http://www.etc.cmu.edu/etcpress/node/278>.
  • Galloway, Alexander R. Gaming: Essays on Algorithmic Culture. Minneapolis: University of Minnesota Press, 2006. Print.
  • Juul, Jesper. Half-Real: Video Games between Real Rules and Fictional Worlds. Cambridge: MIT Press, 2005. Print.
  • Newman, James. “The Myth of the Ergodic Videogame: Some Thoughts on Player-Character Relationships in Videogames.” Game Studies 2.1 (2002): n. pag. Web. 25 Dec 2009. <http://www.gamestudies.org/0102/newman/>.
  • —. Videogames. London: Routledge, 2004. Print.
  • Poole, Steven. Trigger Happy: Videogames and the Entertainment Revolution. New York: Arcade, 2000. Print.
  • Salen, Katie, and Eric Zimmerman. Rules of Play: Game Design Fundamentals. Cambridge: MIT Press, 2004. Print.
  • Sherman, Ben. “Story Mechanics as Game Mechanics in Shadow of the Colossus.” Gamesutra 28 Mar 2006. Web. 14 Mar 2009. <http://gamasutra.com/features/20060328/sherman_01.shtml>.
  • Squire, Kurt, and Henry Jenkins. “The Art of Contested Spaces.” Publications. Web. 15 Dec 2009. <http://web.mit.edu/cms/People/henry3/contestedspaces.html>.
  • Wolf, Mark J. P. The Medium of the Video Game. Austin: University of Texas Press, 2002. Print.
[polldaddy poll=2485235]

On Hacking and Unpacking My (Zotero) Library

Many of my readers in the humanities already know about Zotero, the free open-source citation manager that works within Firefox and scares the hell out of Endnote’s makers. If you are a student or professor and haven’t tried Zotero, then you are missing out on an essential tool. I use it daily, both for my research and in my teaching. [Full disclosure: I am not an entirely impartial evangelist for Zotero, as its developers are colleagues at George Mason University, in the incomparable Center for History and New Media.]

The latest version of Zotero allows you to “publish” your library, so that anybody can see your collection of sources (and your notes about those sources, if you choose). In my case, I’ve not only published my library on the zotero.org site, I’ve updated the main sidebar on this very blog with a news feed of my “Recently Zoteroed” books and articles. As I gather and annotate sources for my teaching and research, the newest additions will always appear here, with links back to the full bibliographic information in the online version of my library.

How did I do this?

Why did I do this?

What follows is an attempt to answer these two questions. Before I address the how-to, though, I’ll explain the why-to: why I’m making the sources I use for my teaching and research public in the first place.

Sharing my Library in theory

Like many scholars in the humanities (I imagine), I initially had qualms about sharing my library online — checking that little box in my Zotero privacy settings that would “make all items in your library viewable by anyone.” Emphasizing the gravity of the decision, zotero.org adds this warning: “Be very sure you want to do this.”

I do want to do this, I do, I do.

But why? We are accustomed, in the humanities, to being very secretive about our research. Oh sure, we go to conferences and share not-yet-published work. But these conference papers, even if they’re finished the morning of the presentation with penciled-in edits, they’re still addressed to an audience, meant to be shared. But imagine publishing your research notes and only the notes, shorn of context or rhetoric or (especially or) the sense of a conclusion we like to build into our papers. Imagine sharing only your Works Cited. Or, imagine sharing the loosest, most chaotic collection of sources, expanded way beyond the shallows of Works Cited, past the nebulous Works Consulted, deep into the fathomless Works Out There.

Proprietary software like Endnote reinforces the notion that the engine of scholarship is competition.
A paranoid academic (and most of us are paranoid) might worry that by sharing our pre-publication sources, whether they’re primary or secondary sources, we are exposing our research before its time. My sense is that we like to keep our collection of sources private as long as possible, holding them close to our chest as if we were gamblers in the great poker game of academia. And in this game, our colleagues are not colleagues, but opponents sitting across the table from us, bluffing perhaps, or maybe holding a royal flush. Proprietary software like Endnote, which by default encloses research libraries within a walled garden, reinforces this notion, that the engine of scholarship is competition rather than collaboration.

Or, to switch metaphors, sharing our sources in advance of the final product is like sharing the blueprints to a house we haven’t yet built — a house we may not even have the money to build, and meanwhile you just know there’s somebody out there, more clever or less scrupulous or just damn faster, who can take those blueprints and erect an edifice that should have been ours while we’re still at town hall getting zoning permits. We’ve all had that experience of reading a journal article or — damn it! — a mother effing blog in which the author tackles clearly, succinctly and without pause some deep research concern that we’ve been pondering for years, waiting for it to blossom into a Beautiful Idea in our writing before going public with it. And POOF! somebody else says it first, and says it better.

Keeping our sources private is the talisman against such deadly blows to our research, akin to some superstitious taboo against revealing first names. We academics are true believers in occult knowledge.

To put it in the starkest terms possible: before I published my library I was concerned that someone might take a look at my sources and somehow reverse engineer my research.

Let’s face it, I’m an English professor. It’s not as if I’m working on the Manhattan Project.
Are we in the humanities really that ridiculous and self-important? Let’s face it, I’m an English professor. It’s not as if I’m working on the Manhattan Project. My teaching and research adds only infinitesimally incrementally to the storehouse of human knowledge. I don’t mean to belittle what scholars in the humanities do à la Mark Bauerlein. On the contrary, I think that what we do — striving to understand human experience in a chaotic world — is so crucial that we need to share what we learn, every step along the way. Only then do all the lonely hours we spend tracing sources, reading, and writing make sense.

Looked at prosaically, public Zotero libraries may be the equivalent of a give-a-penny, take-a-penny bowl at a local store. This convenience alone would be useful, but the creators of Zotero are much more inspired than that. They know that sharing a library is crowdsourcing a library. The more people who know what we’re researching before we’re done with the research, the better. Better for the researchers, better for the research. Collaboration begins at the source, literally. And as more researchers share their libraries, we’re going to achieve what the visionaries in the Center for History and New Media call the Zotero Commons, a collective, networked repository of shareable, annotatable material that will facilitate collaboration and the discovery of hidden connections across disciplines, fields, genres, and periods.

And that is why I’m sharing my library.

Sharing my Library in Practice

Now, how am I sharing it? I’ve taken what seems to be an unnecessarily complicated route in order to incorporate my library into my blog. There is an easy way to do what I’ve done: Zotero has native RSS feeds for users’ collections, and all you need is to subscribe to that feed using a widget on your blog. In my case I could have used the default WordPress RSS sidebar widget. But I didn’t. I wound up working with both Dapper and Yahoo Pipes, and here’s why.

I didn’t like how the RSS feed built into zotero.org included everything I added, including duplicate citations, snapshots that I later categorized as something else, and PDFs unattached to metadata (even if I retrieved that metadata later). In short, the default RSS stream looked messy in WordPress (but it looks great in Google Reader). [UPDATE: Patrick Murray-John’s awesome Zotero WordPress plugin solves these problems and makes the Pipes solution below unnecessary—though still cool.]

The online mash-up tool Yahoo Pipes is perfect for combining and filtering RSS feeds and that’s what I wanted to use. I can’t program my way out of a paper bag, but Pipes is simple enough that even I can use it. So why did I also use Dapper, another online tool that lets you do fun things with RSS feeds? Because Pipes for some reason would not accept the Zotero RSS feed as valid. I haven’t been able to confirm this, but I’m guessing it has something to do with Zotero’s API using a secure HTTPS rather than HTTP. Or maybe it’s because the Zotero feed is actually XML rather than RSS. Again, I’m not a programmer and I’m just fumbling my way around this hack. In any case I ran my Zotero feed through the Dapp Factory, which did accept it.

Next I dumped the Dapper feed into Yahoo Pipes, using several of Pipe’s operators to filter duplicates and attachment file names that were cluttering the RSS feed. Here’s is a map of my Pipe.

Using Yahoo Pipes to filter a Zotero library
Using Yahoo Pipes to filter a Zotero library

It’s quite simple, and with some experimentation I may improve my hack (for example, I’m toying with Feedburner as a substitute for Dapper, which may preserve more of the original XML, giving Pipes more raw data to manipulate and mash). But even right now in its kludged form, the result is exactly what I set out to do.

In addition to its simplicity, one of the advantages of Yahoo Pipes is the variety of output formats available. For my blog’s sidebar I have Pipes generate an RSS feed, but I could just as easily create an interactive Flash “badge” with it:

I find the possibilities of a portable, embeddable version of my Zotero library extremely evocative. It’s a kind of artifact from the future that our methodological and pedagogical approaches haven’t caught up with yet. Here is where the theory and practice of a collaborative library have yet to meet — and I want to end my manifesto/guide with a simple appeal: let’s begin thinking about the untapped power of this intersection and what we can do with it, for ourselves, our students, and our scholarship.