The Banality of Evil in Maus

My apologies to Hannah Arendt.  The phrase “banality of evil” is lifted from the title of her book on the infamous Nazi Adolph Eichmann and the climate in Germany during the pre-war and war years.  Arendt’s thesis is that while great evil was done during the Holocaust, much of it was done by ordinary people.  Many of the perpetrators were not sociopaths or monster, but common citizens who acknowledged the German government and the government’s lie that the Jews were the cause of their problems.  German citizens went on to participate in horrible acts with the thought that their actions were those of normal people doing what the state wanted.  They did not think of themselves the way many of us think of them now.

I think this is part of what Spiegelman is saying in “Maus.”  He makes his point by playing down the tale he tells and mixing into it the banality of the everyday life of a man now in his 70s. The main story line is Vladek’s life during the run-up to his imprisonment in the death camps, but other, secondary tales are related; his life as a Lothario, his marriage, and his wife’s depressions and suicide.  His father’s second marriage to Mala and their apparent incompatibility is another theme in the first volume.  His father’s problems with his eyes and his story about how he found the right eye doctor takes up 14 panels. All of these could be part of the story of any person from that generation and Spiegelman uses them give us the impression of ordinariness.

Spiegelman then blends scenes of horrible cruelty and suffering in to this seemingly ordinary tale, but in a way that doesn’t overly shock the reader. In four pages he takes us from the birth of his brother, Richieu, he and his wife’s trip to sanitarium, to the beginning of the pogroms (pp.30 – 33).  This sequence illustrates how, at the beginning of Hitler’s rule, the war “just happened” to ordinary people.  Unlike in America, where one minute there was peace and the next war, in Europe the climate of hate and brutality began to build slowly over a period of years.  Ordinary people became acclimated to what was going on around them; Jews who were once rich became accustom to having food rationed and businesses confiscated.  Many non-Jews bought into the propaganda and became to think of their Jewish neighbors as less than human.

This is unsettling to me.  The terror of the book slowly builds.  Like the insanity of Nazism slowly taking over Europe. I found myself rereading passages, wondering how I got to a particular point in the narrative.

3 thoughts on “The Banality of Evil in Maus”

  1. I think these are great observations, and surprisingly tied-in with Jared’s wonderings about the reliability of the narrator. As much as we like to think of reality as black and white, good and evil, honest and false, the truth is a bit more (insidiously?) complicated than that…don’t get me wrong, I think Nazism is (yes) pure evil and Hitler was one f’ed up dude. But when you look at the people he beguiled and the world they lived in, it wasn’t always a place with clear lines of moral delineation.

    That gives me great pause for humility as I consider humanity–and especially when I encounter more stories from the many other despicable genocides that have occurred since Hitler’s pogroms.

    As a sidenote, has anyone ever watched any of the non-military, color films from Nazi Germany? (you can find them on youtube). For me at least, it really jolted me afresh into re-realizing just what Tim is talking about here–the banality of it all. Quite unsettling, really, in a post-Hollywood world, with images of Indy chasing nefarious goons firmly implanted in our consciousnesses…hmm, I wonder what we could say about Spiegelman’s decision to draw Maus in black and white…

  2. The mundane activities we are privy to in Vladek’s story does give the facts we all know about the Holocaust a more human feel. The terror does indeed grow on us, and it makes us take pause that the world wasn’t a horribly different place when this stuff happened (people had affairs, worried about jobs, got married), which makes it all the more frightening that it happened at all.

  3. Tim, your post about the banality of evil reminded me of a classic Leonard Cohen poem:

    ALL THERE IS TO KNOW ABOUT ADOLPH EICHMANN

    EYES:…………………………………………..Medium
    HAIR:…………………………………………..Medium
    WEIGHT:………………………………………Medium
    HEIGHT:……………………………………….Medium
    DISTINGUISHING FEATURES:………………None
    NUMBER OF FINGERS:………………………….Ten
    NUMBER OF TOES:………………………………Ten
    INTELLIGENCE:………………………………Medium

    What did you expect?

    Talons?
    Oversize incisors?
    Green saliva?

    Madness?

    from Flowers for Hitler (1964)

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