Exit Wounds

Upon reading this graphic novel, I had no clue what to expect. My first reaction was to the use of bright colors and cartoonized characters. Despite the “semi-serious” subject of an unidentified body of a person who was killed in a bus station cafeteria bombing supposedly being the distant father of his distant son, Koby, I found the colors to be quite interesting to use because of the nature of this story. This graphic novel, I compared to WE3 in the ways that I felt as though I was actually viewing a movie. At one point I even had to shake my head and take a second look to remind myself that I was reading a book with pictures and not watching a film. I found this aspect quite entertaining however. I also thought the character of Koby was very developed and “real,” in a sense that he held nothing back in his emotions and you could actually relate him to a real person because of his sometimes indifference about his father’s whereabouts and safety. I also found the romance that grew between Koby and Numi very intriguing. Numi’s discovery that her thought-to-be deceased lover Gabriel (Koby’s father), had been having relations with other women during their “relationship,” pushed her into Koby’s arms because he was also used to his father disappointing him. Overall, I thoroughly enjoyed this story, more so after I found out Koby’s father was not killed in the bombing, but actually lived so that he could actually come to explain his actions or in-actions, to not only his son Koby, but also to Numi. I did hope that in the end Koby and Numi would have tracked down Gabriel together and come to terms together, but I finally understood the significance of the final scene in which Koby is stuck up a tree in Numi’s backyard after jumping the wall in attempts to tell Numi that he loved her, and how Numi tells Koby to jump and that she will catch him, and despite his crippling fear of jumping, he does. Koby lets his guard down, for once in a very long time.

2 thoughts on “Exit Wounds”

  1. This is a good recap of the story, and you touch upon several key elements of Exit Wounds—such as the cartoonish style, and the disconnect between this style and the subject matter. I’d love to hear more about what made the book seem film-like? It’s definitely not as kinetic as We3. What else about it, then, made it seem like a film?

  2. What made this story appear film-like to me, was the real and raw emotion of the characters, especially Koby. I loved his sarcasm and frequent questions he was continually asking himself. I also felt that the series of illustrations within the novel were not as spaced out in time to where you had to “fill in” the scene gaps. The pages flowed very smoothly and kept consistent.

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